How selected #Orchestras integrate #digital tools

Orchestras around the globe are looking for pathways in the very fast changing digital environment. Only some orchestras can make money from media business, at least only, if they do it on their own behalf.

Home of Berlin Philharmonic and the DCH Ltd.

A good example is the Digital Concert Hall (DCH) of the Berlin Philharmonic. Find more information on this topic in this presentation, which has been hold at 4th International Orchestra Conference in Montreal on May 12, 2017:

Orchestras Integrating Digital Tools

@AirCanada receives #FIMAirlineOfChoice Award – Press Release

On 11 May 2017, the International Federation of Musicians (FIM), which represents professional musicians and their trade unions in more than 60 countries, awarded the newly created FIM Airline of Choice award to Air Canada. The ceremony took place during the opening evening of the 4th FIM International Orchestra Conference hosted by the Quebec Musicians Guild (local 406 of the AFM).

FIM President John Smith, Senior Vice Presdient Air Canada Craig Landry, FIM Vice-President Deborah Cheyne

FIM and its member unions have been campaigning for several years with the aim of improving airlines’ policies so that musicians traveling with their instrument are treated fairly and are fully informed about regulations governing the transportation of musical instruments. The international jury set-up by FIM established that the Canadian company was clearly ahead of its competitors in this respect.

According to Benoît Machuel, FIM General Secretary, “Air Canada goes clearly beyond the requirements of the FAA regulation in the US – which today is the benchmark – by offering a 50% discount on a second seat for an instrument when necessary, as well as giving priority boarding to musicians and their instruments. Air Canada’s policy towards musicians is in our view exemplary.”

The FIM President, John Smith, declared: “It is satisfying to see that the air transport sector is gradually adapting itself to musicians’ needs. Unfortunately, too many companies still have unthought out policies that are often applied in an erratic and unpredictable manner. This is incompatible with a profession that, by its very nature, involves frequent travelling.”

“The Canadian Federation of Musicians has been working with our airlines for some time”, said AFM Vice President from Canada Alan Willaert. ‘We are very pleased that Air Canada listened, and have taken steps to greatly enhance the travel experience for musicians and their very valuable tools of trade.”

“For over 35 years Air Canada has been a long-time supporter of orchestral music in Canada. As official airline of eight major symphony orchestras in Canada from coast to coast, we have proudly flown them and their talented musicians around the world from China to Europe and the U.S. on many tours and to world famous concert halls including Carnegie Hall,” said Craig Landry, Senior Vice President, Revenue Optimization at Air Canada. “Our dedication to orchestras and music extends much further than being Official airline of these outstanding organizations. In 2015 we implemented industry leading enhancements designed to support the specific needs of all musicians travelling with carry-on instruments, including pre-boarding benefits and a generous discount when purchasing an additional seat for their instrument.”

The FIM Airline of Choice award 2017 was received on behalf of Air Canada by Senior Vice President Mr Craig Landry, in the presence of 200 international FIM delegates.

Information

Benoît Machuel, FIM General Secretary

Mobile: +33 660 625 494

office@fim-musicians.org

https://www.fim-musicians.org/

 

4th International Orchestra Conference in Montreal is on the way

From May 11 to 14 the international orchestra community is gathering in Montreal. 300 delegates from more than 40 countries will discuss cutting edge topics of the industry.

International Orchestra Conference

Created in 2008 by FIM (International Federation of Musicians), the International Orchestra Conference takes place every three years. The previous editions took place in Berlin (2008), Amsterdam (2011) and Oslo (2014). The aim of this dedicated conference is to give symphony orchestra or opera musicians down to the smallest ensemble orchestras the opportunity to share their experiences, concerns and initiatives on issues such as improving working conditions, consolidating employment, risk prevention where health and safety are concerned, developing audiences or public or private financial perpetuation.

A place of exchange for musicians and managers

Since its first edition in 2008, the International Orchestra Conference has invited administrators to take part in panels alongside musicians’ representatives. This open approach enables us to address issues of common interest together, without excluding controversy.

Financing methods, the impact of digital on the way orchestras operate and their relationship with the public, taking risks into account where occupational health is concerned, the involvement of musicians in elaborating artistic projects – these are but a few examples of the numerous issues which musicians and managers address. We need to take up issues and submit them for debate.

Orchestras: an essential cultural mission

In February 2014, musicians’ representatives meeting at the 3rd International Orchestra Conference stated: “Support for symphony and opera music, which are a precious and fragile part of our cultural heritage, is a prime responsibility of national, regional and local governments“. In what has become known as the Oslo Call, they also called on political decision makers “to honour this responsibility, by providing orchestras with the means that are necessary to pursue their missions and thus contribute to, and enhance artistic, social and economic life“.

This public service mission for orchestras reaffirmed here fulfils our societies’ need for culture, providing them with both artistic excellence and social bonding.

Find programme here.

Copenhagen Phil in danger – online petition

The current Danish Minister for Culture, Mette Bock, recently wrote a feature article in the Jyllands-Posten (Jutland Post) which suggested that Copenhagen Phil- Zealand region’s symphony orchestra be closed down. At the same time, politician Alex Ahrendtsen from the Danish People’s Party also proposed plans to close down the orchestra.

Copenhagen Phil needs your support!

The Danish Culture Minister aims to strengthen the Danish orchestra landscape.. however closing Copenhagen Phil seems to be the least constructive way to achieve this. According to Politiken newspaper, “..of the 5 Danish regional orchestras, Copenhagen Phil has been the most proactive in re-thinking the idea of what a symphony orchestra can contribute with new concert partnerships, pop-up concerts in the metro, and a strong working relationship with private businesses. Copenhagen Phil is an innovative center for the presentation of music for a growing and diverse audience in the whole region”.

Copenhagen Phil is the island of Zealand’s symphony orchestra and it plays for just as many audiences in Copenhagen as in the rest of Zealand. The orchestra is Zealand region’s local sympony orchestra, which regularly meets residents from all over Zealand and in the concert hall in Copenhagen. If the orchestra is closed, one entire region in Denmark will not have a symphony orchestra- a region with 2.6 million inhabitants and with the largest land area. How is it possible that Zealand may no longer have it’s own regional orchestra?

Help the orchestras  fight to save an innovative and modern symphony orchestra, which works in and for all of Zealand, including Copenhagen.

Sign the petition here!

Please note that you have to confirm your signature in the confirmation e-mail.

#Classical #music 2017 business is more vibrant than ever

It’s not fake news. It’s true: the classical music business seems to be more vibrant than ever before. “A few decades ago, I would not have put money on the survival of the concerto, except as an antiquarian curiosity. Celebrity soloists continued milking the classics, but the rest of the music world seemed to have moved on from all that gladiatorial bravura, the individual versus the collective story line that made the genre such a Romantic-era staple”, writes Justin Davidson about the topic situation in New York.

 

Tenthousands of people listen to classical music – Oper für alle – Berlin

In Germany there are more crowds joining classical live music pereformances, festivals and events than the national soccer league, according to a STRAD report. A couple of new concert halls and music theatres in Bochum, Berlin (Pierre Boulez Hall at Barenboim-Said Foundation), Dresden and of course Hamburg (Elbphilharmonie) as well as refurbished venues in Munich, Dresden and other German cities (topic issue of the magazine “das Orchester”) show the refreshed power of classical music on major markets. German orchestras have doubled their education and outreach activities since 2004. For example: last week West German Radio Orchestra Cologne rushed out of the concert hall.13 chamber music ensembles visited some 100 primary schools in 55 cities in Northrhine-Westfalia and reached out to 20.000 kids. In one week! This is good news!

Upcoming International Conferences

The arts and orchestra conferences circus is taking speed again in 2017.

International Orchestra Conference

The IAMA (International Artist Managers Association) 27th International Conference takes place in the Paris Philharmony from April 5 to 7.

Find more information on this event here.

The international orchestra community will meet in Montreal (Canada) for the 4th FIM International Orchestra Conference from May 11 to 14. Experts from orchestras around the globe will discuss topic issues and developments in the  orchestra sector.

More information

The latest edition of the Classical:NEXT Fair takes place in Rotterdam (Netherlands) from May 17 to 20.

More information

Time marches on. Make you conference choice!

@ClassicalNEXT 2017 Programme Announced

Classical:NEXT 2017, Rotterdam, The Netherlands, 17 – 20 May 2017, has announced the programme and further details.

Classical:NEXT

Classical:NEXT

Showcase artists (including the launch of the new public festival!), Conference sessions, Project Pitches and Innovation Award nominees, plus news in brief from around the classical world in our Worldwide Community News. You can also see which delegates and companies will be coming to Classical:NEXT 2017.