Classical:NEXT is a professional forum for classical and art music, the next edition of which will take place in Rotterdam from 25 – 28 May 2016.
It is planned as an annual event that aims to unite the international art music community. The event’s structure consists of three sections – Showcase, Conference and Expo: Showcases will present artists and productions in a series of short concerts or video screenings. The event is on its way to become one of the most exciting international platforms and marketplaces for the future of classical music.
Conferences will offer presentations, seminars, thinktanks, mentoring, matchmaking and other formats. The Expo is an exhibition place for companies and institutions and offers a meeting point for hundreds of delegates. Classical:NEXT is initiated by CLASS and produced by WOMEX.
Find more information here!
The classical music meeting and worldwide innovators network Classical:NEXT has opened its annual call for proposals. Classical music professionals from all over the globe can submit their suggestions for showcase artists as well as for video presentations and conference sessions to be held at Classical:NEXT in Rotterdam, The Netherlands, 25-28 May 2016.
To offer an exceptional programme, Classical:NEXT assembles a handpicked selection of artists, speakers and projects each year. All proposals will be considered by an independent jury of international experts – guaranteeing a neutral and balanced selection of only the best showcases and most pressing conference topics for Classical:NEXT 2016 at Rotterdams de Doelen concert hall and congress centre. Proposals can be made for Live Showcases and Video Showcases as well as for short Project Pitches and entire Conference Sessions.
Deadline to apply via the online proposal system is Friday, 25 September 2015.
Building on the Classical:NEXT Momentum
Hundreds of proposals are expected again, with the numbers being likely to rise, given that this May’s Classical:NEXT meeting was attended by a record number of 1,000 professionals from 45 countries. The entire Classical:NEXT network now unites over 2,000 international movers, shakers and everyday innovators from all sectors of the classical music business and 2015 sees an increased attention in the live sector as well as in the media.
For more information and to submit proposals, please visit: www.classicalnext.org
Classical:NEXT 2015 fair will be held in Rotterdam from May 20-23, 2015 in Rotterdam (NL).
The interesting schedule is fully packed with topic issues and perspectives for the classical music industry. Classical:NEXT was born out of the simple idea to bring the diverse scenes of classical music together and offer them a forum to exchange and develop new ideas around classical and contemporary – or in a wider sense – art music. Since 2011, around 2.000 art music professionals representing 1,000 companies from more than 40 countries have engaged with Classical:NEXT and made it into the world’s most important classical music meeting.
Rotterdam (Netherlands) – The organisers of Classical:NEXT, the global meeting for all art music innovators, have just opened their call for proposals for the 2015 programme. Professionals from across the world concerned with classical and art music are encouraged to submit their ideas, projects or music as well as put forward innovative and interactive conference formats.
After three successful editions, Classical:NEXT has established itself as the event for progressive themes in classical and art music, with its emphasis on mutual collaboration allowing those active within the genre to play a role in developing its future. In 2015, the event will once again be shaped by delegates with Classical:NEXT Director, Jennifer Dautermann, calling on everyone to take part.
Submission Deadline 26 September 2014
Submissions must be received by Friday, 26 September 2014. Following this date, the Classical:NEXT jury, an independent group comprised of five experts from within the classical and art music world, will meet to make the programming selection. Proposals are being accepted in the following three categories:
- With a focus on groundbreaking approaches, soloists and ensembles perform for Classical:NEXT delegates and the general public in short evening concerts of 30 minutes each. Proposals that one normally will not find on the traditional competition circuit are particularly encouraged. These might use unusual concert formats, audience interaction, multimedia or unconventional techniques and inspirations. The jury will be looking for “the NEXT”!
- Video showcases have the same purpose as live showcases and also last up to 30 minutes. However, using video to present allows large ensembles or staged productions a showcase opportunity with a minimum of fuss or expense. Project pitches are lightning quick “find and seek” sessions. Make a pitch to the international classical community to try and find a partner, a funder, a record label or whatever it is you might seek. For a total of 9 minutes, show the audience what you’ve got using video, power point or just your own powers of persuasion!
- The conference programme covers both business and creative themes, featuring today’s burning issues and paths forward into tomorrow. Subjects must be of relevance to multiple sectors. Interactivity and audience participation are highly desired. The conference section of Classical:NEXT can include numerous formats including discussions, brainstorming and/or networking sessions, mentoring and presentations.
The programme of Classical:NEXT 2014 was also selected from community proposals:
After the third edition of Classical:NEXT (which was held in May 2014 in Vienna) has once again been very well received, the organizers Piranha Arts announced the dates for next year. In order to enable newly interested professionals to join the Classical:NEXT network immediately, the year-round online platform C:N NET now offers a membership for non-delegates as well.
The fourth edition of the classical music expo and conference will take place from 20 – 23 May 2015. The location is not confirmed yet.
General manager Fabienne Krause: “We are very pleased to see Classical:NEXT going so well. Now it is on all of us to consolidate the project and to develop it further year by year. Of course, Classical:NEXT will always take place in a European city that is attractive to our delegates and easy to reach. As long as the final negotiations are running, we unfortunately can not confirm the location. We will do this very soon, though, in time
for everybody to arrange their stay comfortably.”
A record number of 900 delegates representing more than 500 companies and coming from more than 40 countries attended Classical:NEXT in Vienna this May.
Vienna, May 17, 2014: Classical:NEXT 2014 came to a close, following four fruitful days of expo, conferences and concerts where the art music community demonstrated how adapting and diverse it has become. More than 900 professionals from over 40 countries passed through the doors of the
Austrian Museum of Applied Arts (MAK) in Vienna to build networks, develop ideas or to create new projects on site.
In its third year, the international forum for classical and art music has increased its rate of attendance by more than 10 percent. The number of exhibitors rose from 120 in 2013 to 170 organisations and institutions from across the world, an increase by almost 50%, in 2014. The event, which ran from 14 – 17 May, was particularly lauded for its outstanding atmosphere as well as the exchanges that occurred between sectors: more than 100 different concert and festival
promoters; more than 150 press and media representatives, 150 artists and hundreds of labels, distributors as well as key players from the field of education and many more took part in Classical:NEXT 2014.
A new enthusiasm
Classical:NEXT Director, Jennifer Dautermann, connects the growth of Classical:NEXT to the newfound enthusiasm developing within the classical world: “Our continuing success shows not only the demand for a tailored art music meeting, but also how adaptable the community has become. It is wonderful to see so many concert hall managers, artists, promoters and educational experts sitting together with tech companies, labels and
music institutions, forming new alliances and initiatives – at Classical:NEXT they set new standards for what a music conference can achieve.”
Star baritone Thomas Hampson, who launched proceedings for Classical:NEXT on Wednesday, 14 May with a keynote speech, found similar words in an interview with the online TV channel, Klassik.TV: “I think Classical:NEXT is a wonderful invention. The idea to have people from all different levels and strata, from performing artists to presenters and agents, the whole gamut of people that are either busy with or passionate about the world of classical music, come together and share their experiences so that each one of us on the other side of the business better understands what is going into it.”
Further quotes and video statements:
Interview with Thomas Hampson by Klassik.TV (keynotes will be made available here in due course):
From Trial and Error to Stories of Success – Conference Programme – Pioneers the Way Forward
The third edition of Classical:NEXT further established the crucial role the event now plays within the classical and art music community, with the diversity of topics explored at this year’s conference programme testament to this. The conference programme was expanded for 2014 and featured 59 speakers leading more than 25 sessions plus special formats across four days.
The 2014 conference programme left no stone unturned, exploring relevant themes from across the musical spectrum: David Pay (Music on Main, Canada) and Sean Hickey (Naxos, US) examined how the entrepreneurial spirit can and is benefitting the classical world; Christopher Gruits (Interlochen Centre for the Arts, US) laid out strategies for reaching audiences using live, digital and broadcast
platforms; Chris O’Reilly (Presto Classical, UK), Christopher Widauer (Vienna State Opera, Austria), Steve Long (Signum Records, UK) and Jared Sacks (Channel Classics, The Netherlands) outlined how
streaming and subscriptions can work in classical music’s favour; Andrea Thilo (Germany) and Kai-Michael Hartig (Körber Foundation, Germany) discussed the necessity of keeping music education alive; and Mark Pemberton (Association of British Orchestras, UK) and Claire Mela-Nelson (Trinity Laban Conservatoire of Music and Dance, UK) debated ways to reinvent audience engagement and classical world opening itself up more to its listeners.
Joby Burgess, percussionist of Powerplant is very satisfied with his Classical:NEXT experience, as have most delegates: “It’s been fantastic to be at Classical:NEXT for the last few days and bring my act from the UK, Powerplant, to showcase and perform in front of an international audience of delegates from all across the world. I’ve made some brilliant new friends and brilliant new
contacts with likeminded people. It’s been a really wonderful experience.”
Classical:NEXT Facts & Figures
900 Delegates coming from more than
40 countries, representing
More than 200 labels and distributors
150 members of the national and international press
160 music institutions including many from the education sector.
100 artists plus
51 live showcase artists
8 live showcases
2 off C:N showcase concert evenings
6 video showcases
30 Conference and mentoring sessions with
2 film screenings
plus the IMZ Video Library