Orchestra ads do sometimes look homemade. However, this one from San Diego Symphony for the 2018-19 season is really smart!
The UK based Audience Agency and Goldsmiths University are launching a pioneering new programme as part of a European partnership funded by Erasmus +.
Anne Torreggiani, The Audience Agency CEO: “This is a fantastic opportunity to take part in a free professional development programme co-created with some of Europe’s leading audience development thinkers and practitioners. It takes a very experiential approach to learning for those of us who prefer to learn-by-doing and introduces some of the best new ideas from the wider creative industries to help us evolve our engagement practice. Help us to shape this programme for the wider sector next year.”
This ‘twin track’ programme brings culture professionals and post-graduate students together to develop and test strategic approaches to audience development, including an introduction to user-centred service design and action research. It consists of 7 one-day modules at Goldsmith’s College, London, combined with in-organisation development of an action research project. Participating organisations will host students on internships and all participants will be supported by an independent mentor. On completion of the programme, participants will receive a professional certificate from Goldsmith’s University.
Deadline for applications is October 15, 2018.
Lahti Symphony Orchestra from Finland, Aurora Orchestra from the UK and the t@lenschool app from France are the three winners of the 2018 Classical:NEXT Innovation Awards. Good examples for other orchestras and ensembles to thrive their own innovation activities.
Lahti Symphony Orchestra from Finland was awarded for their efforts to reduce the pace of global climate change by gradually making the orchestra’s activities carbon-neutral. The project is backed by Myrskyvaroitus – Storm Warning Association and carried out in collaboration with the Lahti-based Environmental Technology unit of the Lappeenranta University of Technology (LUT). On winning the award, Teemu Kirjonen from Lahti Symphony Orchestra said:
“Good planets are hard to find. Climate change is threatening the one we are living on at the moment. The project Carbon-Free Lahti Symphony Orchestra is not about the orchestra trying to be the superheroes and saving the world alone but one of the main principles is to raise attention that every one of us can, should and must do our share to save this planet for the future generation. We have the music, we have the arts and have all the means to reach everyone, all the societies, let’s do something big and let’s do it together”
Aurora Orchestra, the renowned and versatile British chamber orchestra were awarded for combining their highest-standard performances with adventurous programming and trailblazing concert experiences. Representing Aurora Orchestra, John Harte shared,
“The fact that this award is voted for not by an anonymous jury in a dusty room somewhere behind the closed doors, but by our colleagues and peers from around the globe is a source of particular pride and very honored to be shortlisted alongside just distinguished organizations, each of which is doing hugely important work in building the classical landscape of the future”
The t@lenschool project by Les Talens Lyriques from France were awarded for their innovation in creating musical practice and listening apps that assist with composing, conducting and playing the harpsichord.
Fabienne Krause: “A key competence of our everyday life in the performing arts is empathy, be it to establish co-operation for business, to lead an orchestra, to connect to audiences as an artist or manager or to give back to your communities. It’s no wonder: art is a human expression of how we understand the world. Empathy is essential as an artist. It is also essential to understand art itself.”
Neil Wallace, Programme Director of the de Doelen: “A few years back, Anthony Sargent stood up here, giving a farewell comment on what he had experienced and he said Classical:NEXT was not a forum for business to business, it was a feeling more like a movement, and that term of his came back to me personally more and more as this edition of Classical:NEXT proceeded. I was inspired and made inquisitive in a way I had never been before and I have been feeling stronger and stronger these days, whether it is in the structured debates of the countless thousands of unstructured conversations that we really do something and even if we cant do put a label to that there is something more important than it has ever been and that is Classical:NEXT. If we carry on developing and nurturing this movement, with where we are at this moment with progress, whether in music, or society or even in humanitarian goals, progress is not just possible but it will be inevitable.”
Know-how from print to video and from business to art
Rotterdam/Berlin As the early bird registration deadline approaches (19 January), the global art music meeting Classical:NEXT has announced the first speakers and conference topics for its 2018 edition in May. Delegates will be presented a wide array of insights, tackling the role of print programmes, of engagement through video and of reconciling business and artistic demands better.
An international expert panel of seven has selected the most forward-thinking approaches from hundreds of proposals, offering solutions to the crucial issues of classical and art music today. Successful network formats and interactive workshops are to be continued. Although less than a third of the conference programme is announced, a trend is already recognizable: The 2018 programme of Classical:NEXT will go deeper into the specifics of topics – building skills and offering insights the expected 1,200+ delegates can take home and use in their everyday work.
For 2018 speaker Dr. Stefan Rosu, artistic director & ceo of the South Netherlands Philharmonic this couldn’t be more important today: “Concentrating on core-competencies and exploring new ways to collaborate are in my opinion the key factors to the long-term survival of the professional classical ensemble. Classical:NEXT is currently THE platform to discuss those issues.”
The 41st Nordic Orchestra Conference will be held in Oulu, Finland on September 20-22, 2017. All orchestra managers and other representatives of Nordic orchestras are warmly welcome to take part. We are very happy to invite you to join us in Oulu in the centenary of Finland´s independence. In the conference we will be discussing for “Best practices in community involvement”, “How to survive the inevitable change in the orchestra field”, “Opportunities and challenges in private funding” and “Challenges of digitalization”. Our key note speakers are Ragnar Lund (SWE), Hannes de Vries (NL), Søren Friis Møller (DK) and Katri Saarikivi (FIN).
The conference sessions will be held at Oulu Music Centre and Oulu City Theatre. In addition to the in-depth talks, we can hear a concert by the Oulu Symphony Orchestra conducted by Johannes Gustavsson and enjoy a delightful social life with our wonderful orchestral “family”.
Welcome to the conference!
To be sure of getting a room at our conference hotel, the Radisson Blu Hotel Oulu, please send your registration before August 25th. Tel. 020 1234 730, sales.ouluradissonblu.com.
Code SINFONIA. A single room 105 €, a double room 125 €.
The fee for the full conference is 520 €. If you want to join the tour from the river delta to country side, smoke sauna and traditional Finnish dinner on Friday, you will pay additional fee
75 €. Please send your registration before August 30th.
Please pay the fee to our IBAN Account:
Suomen Sinfoniaorkesterit ry
FI83 5724 1120 0177 95
Please mention the participant´s name.
The Association of Finnish Symphony Orchestras:
Helena Värri, Executive Director +358 50 556 9781, helena.varrisinfoniaorkesterit.fi
Elina Tuomola, Secretary +358 40 594 3079, elina.tuomolasinfoniaorkesterit.fi
Oulu Symphony Orchestra:
Leena Pälli, General Manager +358 44 703 7210, leena.palliouka.fi
Katariina Kummala, Marketing +358 44 703 7220, katariina.kummalaouka.fi
Virpi Länkelä, Sales +358 44 703 7221, virpi.lankelaouka.fi
The Association of Finnish Symphony Orchestras reserves all rights to changes in the conference programme.
YOU WILL FIND THE REGISTRATION FORM BELOW THE PROGRAMME INFORMATION.
Wednesday 20th of September
Tulindberg Hall, Oulu Music Centre, Leevi Madetojankatu 1-3, Oulu
09:30 – 10:30 Registrations in Oulu Music Centre
10:00 Bus from Radisson Blu Hotel to the Tulindberg Hall
10:30 – 10:45 Welcome, Mayor of the City of Oulu Päivi Laajala
11:00 – 11:45 Country reports / panel hosted by Gordon Alsing, (DK)
Denmark: Asbjørn Keiding
Finland: Helena Värri
Iceland: Arna Kristín Einarsdóttir
Norway: Rolf Lennart Stensø
Sweden: Mikael Brännvall
11:45 – 12:00 Coffee
12:00 – 13:00 100 years of Music in Finland
Minna Lindgren, Music Writer and Journalist
13:00 – 14:00 Lunch
14:00 – 15:00 Opportunities and challenges in private funding
Key Note Speaker Ragnar Lund, Researcher and Lecturer, KHT Royal Institute of Technology
15:00 – 16:15 Best practices in community involvement in the nordic countries
Annika Kukkonen (FIN), Uffe Savery (DK), Marco Feklistoff (SWE), Arna Kristín Einarsdóttir (IS), tba (NO)
16:30 Bus to the hotel
19:00 Dinner at the City Hall, Kirkkokatu 2a, Oulu
Thursday 21st of September “Times are changing.”
Tulindberg Hall, Oulu Music Centre, Leevi Madetojankatu 1-3, Oulu
9:30 Bus from the hotel to the Tulindberg Hall
10:00 – 11:00 From democratization of culture to cultural democracy. Organizational and managerial changes for symphony orchestras.
Søren Friis Møller, External lecturer, PHD, B.A, Copenhagen Business School
11:00 – 11:15 Coffee
11:15– 11:45: The renewal process of the state subsidies in Finland
Helena Mustikainen, Project Director of Sitra Fund
11:45 – 12:30 The change in the orchestra field in the Netherlands and how they survived it.
Key Note Speaker: Hannes de Vries, Co-owner at GE#sharp artists events, Member of the board of the International Artist Managers´ Association
13:30 – 13:50 Auditions from the musician’s perspective.
Lucy Abrams, Clarinetist, Oulu Symphony Orchestra
13:50 – 14:15 Coffee
14:15 – 15:00: HR Policies on senior musicians.
Hanna Fontana, HR manager of Finnish National Opera and Ballet
15:00 – 15:15 Summary
15:30 Bus to the hotel
18:30 Bus from the hotel to the Madetoja Hall
19:00 Oulu Symphony Orchestra concert at the Madetoja Hall
Johannes Gustavsson, conductor
Jamie Barton, mezzosoprano
Juha Pisto: Symphony no 1 (first performance)
Lili Boulanger: D’un soir triste
Gustav Mahler: Rückert Lieder
Intermission hosted by the International Artist Managers´ Association (IAMA) Chairman Aino Turtiainen-Visala, Introduction of “The Heirs of Sibelius” project by Kalevi Aho.
Bus to the hotel leaves after the concert. Dinner by your own cost.
Friday 22nd of September
Oulu City Theatre, Vinttikamari, Kaarlenväylä 2, Oulu
9:00 – 10:00: Music as a gateway to empathy in the digital realm
Key Note Speaker Katri Saarikivi, Cognitive neuroscientist at the University of Helsinki
10:00 – 10:45 Can orchestra field benefit from the game industry and vice versa?
Tony Manninen, CEO of Ludocraft, designing games and play
10:45 – 11:00 Coffee
11:00 – 12:00: The future leadership in the orchestra field
Vesa Puhakka, Professor of Management at the University of Oulu´s Business School.
12:00 – 13:00 Lunch
14:00 Gathering at the hotel
14:15 Oulu Tour from the river delta to country side.
Additional fee 75 €. Please wear sporty casual, waterproof, windproof, everything proof. Bring your swim suit. Towels provided by the host.
– M/S Angelina river boat – smoke sauna – traditional Finnish dinner
22:30 – Bus back to the city
League of American Orchestras’ 2017 National Conference, June 6-8 in Detroit: Celebration of League’s 75th Anniversary
The League of American Orchestras’ 2017 National Conference in Detroit, June 6-8, will focus on the ways forward for orchestras in an uncertain public policy landscape. Using the story of Detroit’s revitalization and resurgent creative community as a backdrop, the Conference will include a diverse array of civic, business, and cultural voices, including many from the Motor City.
Nearly 1,000 orchestra constituents from across the country – managers and staff, musicians, trustees, and volunteers – are expected to attend the Conference, taking place at the Detroit Marriott at the Renaissance Center and at the Max M. and Marjorie S. Fisher Music Center, home to Conference host Detroit Symphony Orchestra and Music Director Leonard Slatkin. This is the third League Conference in Detroit; it was held there previously in 1964 and 1986.
The 2017 National Conference will include live performances, social and networking events, and an assortment of sessions highlighting diversity, artistic innovation, fundraising, audience development, technology, financial sustainability, and more, including a special behind-the-scenes look at the Detroit Symphony Orchestra’s groundbreaking live video webcasts.
“As we celebrate our 75th anniversary, we find one of the League’s core mandates – that together we are stronger than individually – more prescient than ever,” said Jesse Rosen, president and CEO, League of American Orchestras. “At the Conference, we will hear from diverse voices, using the city of Detroit’s remarkable transformation as a symbol of what we can accomplish together, through effective partnerships, advocacy, and innovative practice.”
“The Detroit Symphony Orchestra is thrilled to be the host orchestra for this year’s League of American Orchestras’ Conference,” said Anne Parsons, president and CEO of the Detroit Symphony Orchestra. “Our resurgent city that we are so proud to call home is sure to surprise and delight the Conference delegation. We know everyone will come away inspired and enriched by the content of the meetings and as well as their experiences in the great city of Detroit.
The Conference Opening Plenary kicks off at Orchestra Hall on June 6 with Detroit Rising: Stories of Renewal, a panel discussion of how economics, race, immigration, urban versus suburban, arts and culture, and transportation converge in a story about transformation and how to lead in the face of tremendous adversity. Ann Hobson Pilot, former principal harpist of the Boston Symphony Orchestra, will receive the League’s highest honor, The Gold Baton. She will also perform.
On June 7, the Luncheon and Annual Meeting will celebrate the official launch of the League’s 75th anniversary and League Giving Day, a new one-day fundraising campaign. Five musicians and their orchestras will receive the Ford Musician Awards for Excellence in Community Service, and The Annie Moses Band will be featured in a special showcase performance.
The Closing Plenary and Luncheon on June 8 will feature national thought leaders Melanca Clark, president, the Hudson Webber Foundation; Maria Rosario Jackson, member, National Council on the Arts, senior advisor to the arts and culture program, the Kresge Foundation; Rip Rapson, president and CEO, the Kresge Foundation; and Steven J. Tepper, dean, Herberger Institute for Design and the Arts, Arizona State University will discuss Pathways Forward as they examine the role of arts and culture in these uncertain times.
Conference delegates will enjoy a variety of events, including an evening performance at Orchestra Hall on June 6 by the Detroit Symphony Orchestra, conducted by Music Director Leonard Slatkin, of Mohammed Fairouz’s Pax universalis, Kurt Weill’s Seven Deadly Sins, Sarah Kirkland Snider’s Something for the Dark, Michigan native Jonathan Bailey Holland’s Equality (text by Dr. Maya Angelou), and Mason Bates’ Warehouse Medicine. Detroit resident Shara Nova is the vocalist and Dr. Tonya Matthews the narrator. The concert will also feature a special performance by the Detroit Symphony Youth Orchestra. Immediately following the concert, the venue’s Atrium will be the site of an all-delegate Tune-Up Party; the next evening, on June 7, a social event for young professionals will also take place at the Atrium, followed by a DSO Mix @ The Max concert with Detroit’s Shigeto in the DSO’s flexible performance space The Cube. Conference attendees will also have the option of attending a Detroit Tigers game at Comerica Park on the evening of June 7.
The inspirational story of Detroit and its orchestra, as well as advocacy strategies for orchestras navigating the current public policy environment, will be woven into in a number of Conference sessions, including:
- Opening Plenary
- Closing Luncheon and Plenary
- Mapping the DSO Journey
- No Sound Barriers: Sphinx at 20
- Changing Orchestra Culture: A Conversation with DSO Musicians
- Make the Case Now!
- Activating and Nurturing Community Alliances
- Cultural Equity
Additional Conference Elective Sessions on June 7 and 8 will cover a range of topics including diversity and inclusion, community engagement, artistic programming, digital marketing, audience development, pricing, and philanthropy. Highlights include:
- Bold and Informed: Researching Audiences on a Budget
- Diversity and Inclusion in Action
- Market Smarter: Insights and Strategy for Digital Marketing
- The Strategic and Artistic Understanding of Pops
- Classical Musicians of African Descent: Perspectives, Aspirations, and Outlook
- Pricing: The Heart of the Matter
- Socially-Conscious Musician-initiated Projects in Haiti and Seattle
- Change Before You Have To (featuring the League’s Emerging Leaders Program Class of 2017 with lead faculty John McCann)
- Musicians as Organizational Leaders
- What is the Relevance of the Western Orchestral Canon in America Today?
Other Pre-Conference sessions include:
- Foundations of Collective Bargaining
- Leadership Seminar with Horst Abraham, faculty, Ross School of Business, Executive Education, University of Michigan
- Education and Community Engagement Half-Day Meeting
- Everyone is a Fundraiser: A Fundamentals-rich Application-robust Crash Course on Fundraising
- Knowing Your Audience: A Step-by-Step Guide
- 2017 Diversity Forum, the League’s third national convening of leaders from the field addressing major initiatives and topics, including a national diversity audition fund, national instrumentalist mentorship and audition training, field-wide board and staff diversity, and music education pathways.
For a full Conference schedule, including online registration, hotel accommodations, and travel discounts, visit http://americanorchestras.org/conference2017/
The world’s biggest classical music meeting, Classical:NEXT, has opened its doors for its sixth edition. Four days of Expo, Conference and the new ‘Seriously – Adventures in Music’ Showcase Festival lie ahead for the expected 1,200 music professionals, who are coming to Rotterdam, the Netherlands, from all over the world and all branches of the classical and contemporary music scenes. Due to the continuing success of the meeting, with a growing expo and programme, organisers Piranha Arts and Rotterdam’s de Doelen Concert Hall and Congress Centre, have announced today that they will continue their cooperation for another three years.
The global meeting for all art music innovators Classical:NEXT started its sixth edition today with a break from tradition: for the first time, the Opening was not produced by a single country, but instead was based around the positive answers to the question ‘what’s the point?’. After a music theatre performance ‘Have a Good Day’ as part of associated event Operadagen Rotterdam, the celebratory Classical:NEXT Opening in de Doelen featured the mainland European premiere of the UK’s Chineke! Orchestra, and words from Chineke’s Chi-chi Nwanoku MBE and Afa S. Dworkin of Sphinx Foundation, as well as conductor Marin Alsop and Ahmed Aboutaleb, the popular mayor of Rotterdam, via video.
Growing Expo, Widening Range
Classical:NEXT 2017 is the third time the event is held in the renowned de Doelen Concert Hall and Congress Centre, and it sees music professionals from 44 countries across the world gather to discover, debate and decipher the current, emerging and future trends in classical and art music and beyond across a packed programme including conference sessions, showcase performances, video project pitches and more.
An important part of the meeting is the unique opportunity to network across branches and with colleagues in the growing Expo in de Doelen. This year, the Expo is the biggest yet with 80 stands and almost 300 exhibiting companies and institutions, which amounts to more than a 15% growth compared to last year’s numbers. Classical:NEXT organisers, Berlin-based Piranha Arts, confirmed that delegate registration numbers are already set to match last year’s record number of approximately 1,200 professionals.
Music is Better When We Play It Together
In a marked change from previous editions, the Classical:NEXT 2017 Opening Ceremony was presented not as a spotlight of the musical output of a particular nation, but instead asked the question of ‘what’s the point?’ Building upon a prominent topic of last year’s Opening keynotes – the need for continuing relevance – this year, the gala performance was a celebration of just how relevant the classical and contemporary scene can be.
The main performers of the first night were Chineke! Orchestra – Britain’s first black and minority ethnic (BME) orchestra – joined by the resident Doelen Ensemble and musicians and students from Codarts University for the Arts. The concert marked the orchestra’s mainland European debut and featured a selection of pieces by contemporary composers Sarah Kirkland Snider and Errollyn Wallen, as well as Edward Elgar’s Serenade for Strings.
Under the baton of Mortimer Fruber Prize-winning conductor Shaun Matthew, featured soloists included pianist Isata Kanneh-Mason, violinist Tai Murray, soprano Nicole Jordan, and double bassist and founder of Chineke! Chi-chi Nwanoku. Nwanoku, who was also a co-director of the Opening, was one of the speakers of the night together with Afa S. Dworkin, president and artistic director of the US-based Sphinx Organization, who enthused:
“I am thrilled to be able to participate in Classical:NEXT this year: particularly, during such a turbulent time for our global society, I am eager to learn from and with colleagues around the globe and explore the immense power of the arts to unite, connect and erase barriers”
As well as those on stage, Classical:NEXT delegates were also joined by speakers via video messages. In this manner, Marin Alsop spoke of the bright future ahead for classical music and asked the pertinent questions: “What can we do to demonstrate our common humanity? What we can we do – individually and collectively – to make positive change?”. Rotterdam mayor Ahmed Aboutaleb used his message to explore connections in classical music, from personal, to city-wide, to world-wide.
Throughout the concert were also introductions to projects that epitomise the relevance and change that classical music can stir in communities around the world. The projects included 3 Thousand Rivers from Colombia, the Refugee Orchestra Project from the US, Gondwana Choirs from Australia, Selam Opera! from Germany, Zohra Afghan Women’s Orchestra from Afghanistan and Buskaid Soweto String Project from South Africa.
Chi-chi Nwanoku summed up the atmosphere of the Opening Ceremony with her words: “There is absolutely no reason why people of all backgrounds cannot enjoy the depth, complexity and beauty of classical music.”
The Opening is a joint production of Chineke! Foundation, Sphinx Organization, de Doelen and Piranha Arts. Chineke! Orchestra appears with the kind support of the GREAT campaign of the United Kingdom Department for International Trade as well as the British Council and PRS for Music Foundation.
Programme Overview: Connecting with Audiences Worldwide
The live musical programme for Classical:NEXT is expanded this year, under the title of the ‘Seriously – Adventures in Music’ festival and fully open to the public. Over the span of the event, artists from twelve countries and four continents will grace the Classical:NEXT stages in a range of performance contexts. Performing artists span the scene from emerging stars to art music veterans, including Collectif9, Maarja Nuut and David Krakauer.
In addition to the international jury-selected Showcase programme presented in de Doelen, a fresh format for this Classical:NEXT 2017 will allow delegates and public audiences to explore contemporary classical music in the intimate and informal settings of two of Rotterdam’s hippest club venues, BIRD and WORM. These Club Showcases comprise four live performances curated by Classical:NEXT director Jennifer Dautermann and Nonclassical artistic director Gabriel Prokofiev. A mainstay of the live programme at Classical:NEXT in Rotterdam is Lunch with the Resident, providing audiences with an opportunity to discover the breadth of Dutch musical talent with short lunchtime concerts organised by local partners de Doelen.
Two projects are highlighted in bespoke off C:N showcases. The Nordic Music Days 2017 will be represented by Distractfold Ensemble, and MusMa (partnered with the European Festival Association and European Broadcasting Union) will present the first collected performance of five specially-commissioned 2017 works, performed by Amôn Quartet from Belgium. In a collaboration initiated in 2016, the Rotterdam Philharmonic Orchestra will perform as part of the official Classical:NEXT programme, with a concert entitled ‘The Sea, The Sea!’. The performance will feature pieces by Michael Gordon and John Luther Adams, the orchestra conducted by Bas Wiegers and piano by Tomoko Mukaiyama.
For the first time at Classical:NEXT, the EBU will also record the international showcases for national radio stations, as well as making them available for radio stations worldwide, giving performing artists the maximum opportunity for visibility.
Further highlights of Classical:NEXT will be the interactive conference – the core of many Classical:NEXT delegates’ experience – with a total of 59 sessions and representatives from respected companies including Boosey & Hawkes, Carnegie Hall, Naxos, London Symphony Orchestra and many more offering new perspectives and concrete take-home know-how for the delegates.
The event will conclude with Saturday’s Closing Ceremony featuring a showcase of Trip Trip Trip and centred around the third Classical:NEXT Innovation Award, the winning project or person of which is decided by online vote, open to all delegates, from a shortlist selected by industry experts and journalists from 18 countries.
Classical:NEXT at Home in Rotterdam for Three More Years
Having grown in both size and reputation in its three years being held in Rotterdam, organisers Piranha Arts and de Doelen Concert Hall and Congress Centre today announced that the Classical:NEXT event will return to Rotterdam for a further three editions. Also revealed were the dates of Classical:NEXT 2018, which will be held 16 – 19 May 2018.