First Detailed Report on US #Orchestras’ Education and Outreach Work

Study Finds Growth in Number of EdCE Program Participants, Diversity of Participants, School and Community Partnerships, and More. Almost Two Thirds of Participants Took Part in EdCE Programming Free of Charge, and 85% of all EdCE Sessions Took Place Outside of the Concert Hall.

Children_instruments

Orchestras: relevant to kids & people & coummunity

New York, NY (August 15, 2017) – For the first time, the League of American Orchestras has issued a detailed report on the scope and scale of orchestras’ education and community engagement (EdCE) work.

Of and For the Community examines the purpose and scope of these activities, reporting on topics including EdCE programming, participant diversity, community partnerships, investments in professional development, and income and expenditure for EdCE concerts and events. While the League last surveyed member orchestras on EdCE programming in 2008, the report is the first to investigate current field interests such as diversification of orchestra EdCE programming and artistic costs associated with this work.

Orchestras reported growth over the period 2009-14 on each of the following measures:

  • the number of EdCE participants engaged;
  • the racial/ethnic diversity of EdCE participants;
  • the number of EdCE concerts produced;
  • the range of EdCE activity types undertaken;
  • the extent of school and community partnerships developed;
  • the number of staff hours dedicated to EdCE activity; and
  • the budget available for EdCE work, relative to the orchestra’s overall budget.

Almost two thirds of participants took part in EdCE programming free of charge, and 85% of all EdCE sessions took place outside of the concert hall.

“More than ever before, education and community engagement programming is central to orchestras’ organizational visions, as they actively seek out new opportunities for creative expression and connection,” said League of American Orchestras President and CEO Jesse Rosen. “The League has been a catalyst for addressing this profound shift in our field’s focus, and we’re seeing increases in the scope of this work and a greater acknowledgement of its importance.”

Making use of the League’s field-wide data and drawing on a dedicated survey of League of American Orchestras’ member orchestras, the study looks at both the current landscape and longitudinal trends from the five-year period between 2009 and 2014. The 98 survey respondents included adult orchestras with and without affiliated youth orchestras, as well as independent youth orchestras. U.S. orchestras of all sizes from across the country took part.

Key findings from Of and For the Community:

  • Growth and diversity of participants:

82% of orchestras surveyed stated that the number of EdCE participants in their programs had increased over the five-year period 2009-2014.

70% of all EdCE participants were believed to be 18 years old or younger.
61% of orchestras reported that their EdCE participant base was more diverse in 2014 than it had been in 2009.
38% of EdCE participants were believed to be African American, Hispanic/Latino, Asian/Pacific Islander, or American Indian/Alaskan Native, and 62% were believed to be white.

  • Diversification of the range of EdCE program types:

69% of survey respondents confidently reported a greater range of program types in 2014 than in 2009.

  • Increase in number of EdCE concerts: 

Almost half of the survey cohort reported that the number of EdCE concerts they performed had increased during the five-year period 2009-2014.

  • Increase in partnerships with school and community-based organizations:

Two thirds of all responding orchestras reported that the extent of their partnership work had increased during the five-year period 2009-14.
79% of orchestras surveyed reported working with schools.
63% reported working with community (non-school) partner organizations.
34% had worked with (non-school) community partners focused on youth engagement.
26% had worked with health and wellness organizations.
24% had worked with senior services providers.
17% had worked with organizations focused on racial diversity and inclusion.
13% had partnered with organizations working to address poverty in their communities.
Orchestras also reported having worked with organizations dedicated to homelessness (10%), mental health (8.2%), domestic violence and abuse (4.1%), criminal justice (3.1%), bullying (3.1%), young people in the foster care system (3.1%), and school drop outs (3.1%).

  • Orchestras’ investment in EdCE work is increasing:

Almost half (47%) of the 85 orchestras in our cohort of adult orchestras (and their affiliated youth orchestras) stated definitively that the budget available for EdCE programming increased in the period 2009-14, relative to their overall budget.

  • Orchestras serve communities:

Almost two thirds of participants took part in EdCE programming free of charge.
85% of all EdCE sessions (incorporating both concerts and other musical activities and events) took place outside of the concert hall.
83% of orchestras surveyed offer the opportunity to meet musicians and/or explore orchestral instruments.
Over 80% offer performances by smaller professional groups of orchestral musicians, which enables this work to take place in a wider range of community venues.
73% offer in-person lectures or talks.
73% of community-based EdCE sessions took place in schools.
68% of orchestras surveyed present family or school concerts, making the unique cultural experience of the full symphony orchestra welcoming and accessible to a large community audience.
61%* offer the opportunity for amateur musicians to rehearse and perform alongside orchestra musicians (*percentage does not include independent youth orchestras).
51%* offer individual instrumental instruction (*percentage does not include independent youth orchestras).
34%* run a community orchestra for adults, and 30%* run an adult community choir (*percentages do not include independent youth orchestras).
27% of community-based EdCE sessions took place in non-school venues including:

  • healthcare setting
  • civic institutions (such as museums or libraries)
  • religious buildings
  • civic spaces (such as parks and town squares)
  • care homes for the elderly
  • youth and community centers
  • criminal justice settings
  • community festivals or parades
  • social care centers
  • shelters

Download Of and For the Community: The Education and Community Engagement Work of Orchestras here.

This report was made possible by the generous support of The Andrew W. Mellon Foundation and the National Endowment for the Arts, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Read the full press release here.

41st Nordic #Orchestra Conference, Oulu, Finland

The 41st Nordic Orchestra Conference will be held in Oulu, Finland on September 20-22, 2017. All orchestra managers and other representatives of Nordic orchestras are warmly welcome to take part. We are very happy to invite you to join us in Oulu in the centenary of Finland´s independence. In the conference we will be discussing for “Best practices in community involvement”, “How to survive the inevitable change in the orchestra field”, “Opportunities and challenges in private funding” and “Challenges of digitalization”. Our key note speakers are Ragnar Lund (SWE), Hannes de Vries (NL), Søren Friis Møller (DK) and Katri Saarikivi (FIN).

Welcome to Oulu!



The conference sessions will be held at Oulu Music Centre and Oulu City Theatre. In addition to the in-depth talks, we can hear a concert by the Oulu Symphony Orchestra conducted by Johannes Gustavsson and enjoy a delightful social life with our wonderful orchestral “family”.
Welcome to the conference!

To be sure of getting a room at our conference hotel, the Radisson Blu Hotel Oulu, please send your registration before August 25th. Tel. 020 1234 730, sales.ouluradissonblu.com.
Code SINFONIA. A single room 105 €, a double room 125 €.

The fee for the full conference is 520 €. If you want to join the tour from the river delta to country side, smoke sauna and traditional Finnish dinner on Friday, you will pay additional fee
75 €. Please send your registration before August 30th.

Please pay the fee to our IBAN
Account:
Suomen Sinfoniaorkesterit ry
FI83 5724 1120 0177 95
OKOYFIHH
Please mention the participant´s name.

More information:

The Association of Finnish Symphony Orchestras:
Helena Värri, Executive Director +358 50 556 9781, helena.varrisinfoniaorkesterit.fi
Elina Tuomola, Secretary +358 40 594 3079, elina.tuomolasinfoniaorkesterit.fi

Oulu Symphony Orchestra:
Leena Pälli, General Manager +358 44 703 7210, leena.palliouka.fi
Katariina Kummala, Marketing +358 44 703 7220, katariina.kummalaouka.fi
Virpi Länkelä, Sales +358 44 703 7221, virpi.lankelaouka.fi

The Association of Finnish Symphony Orchestras reserves all rights to changes in the conference programme.

YOU WILL FIND THE REGISTRATION FORM BELOW THE PROGRAMME INFORMATION.

Wednesday 20th of September
Tulindberg Hall, Oulu Music Centre, Leevi Madetojankatu 1-3, Oulu

09:30 – 10:30 Registrations in Oulu Music Centre
10:00 Bus from Radisson Blu Hotel to the Tulindberg Hall

10:30 – 10:45 Welcome, Mayor of the City of Oulu Päivi Laajala

11:00 – 11:45 Country reports / panel hosted by Gordon Alsing, (DK)
Denmark: Asbjørn Keiding
Finland: Helena Värri
Iceland: Arna Kristín Einarsdóttir
Norway: Rolf Lennart Stensø
Sweden: Mikael Brännvall

11:45 – 12:00 Coffee

12:00 – 13:00 100 years of Music in Finland
Minna Lindgren, Music Writer and Journalist

13:00 – 14:00 Lunch

14:00 – 15:00 Opportunities and challenges in private funding
Key Note Speaker Ragnar Lund, Researcher and Lecturer, KHT Royal Institute of Technology

15:00 – 16:15 Best practices in community involvement in the nordic countries
Annika Kukkonen (FIN), Uffe Savery (DK), Marco Feklistoff (SWE), Arna Kristín Einarsdóttir (IS), tba (NO)

16:30 Bus to the hotel

//

19:00 Dinner at the City Hall, Kirkkokatu 2a, Oulu

Thursday 21st of September “Times are changing.”
Tulindberg Hall, Oulu Music Centre, Leevi Madetojankatu 1-3, Oulu

9:30 Bus from the hotel to the Tulindberg Hall

10:00 – 11:00 From democratization of culture to cultural democracy. Organizational and managerial changes for symphony orchestras.
Søren Friis Møller, External lecturer, PHD, B.A, Copenhagen Business School

11:00 – 11:15 Coffee

11:15– 11:45: The renewal process of the state subsidies in Finland
Helena Mustikainen, Project Director of Sitra Fund

11:45 – 12:30 The change in the orchestra field in the Netherlands and how they survived it.
Key Note Speaker: Hannes de Vries, Co-owner at GE#sharp artists events, Member of the board of the International Artist Managers´ Association

12:30-13:30 Lunch

13:30 – 13:50 Auditions from the musician’s perspective.
Lucy Abrams, Clarinetist, Oulu Symphony Orchestra

13:50 – 14:15 Coffee

14:15 – 15:00: HR Policies on senior musicians.
Hanna Fontana, HR manager of Finnish National Opera and Ballet

15:00 – 15:15 Summary

15:30 Bus to the hotel

//

18:30 Bus from the hotel to the Madetoja Hall

19:00 Oulu Symphony Orchestra concert at the Madetoja Hall

Johannes Gustavsson, conductor
Jamie Barton, mezzosoprano

Juha Pisto: Symphony no 1 (first performance)
Lili Boulanger: D’un soir triste
Gustav Mahler: Rückert Lieder

Intermission hosted by the International Artist Managers´ Association (IAMA) Chairman Aino Turtiainen-Visala, Introduction of “The Heirs of Sibelius” project by Kalevi Aho.

Bus to the hotel leaves after the concert. Dinner by your own cost.

Friday 22nd of September
Oulu City Theatre, Vinttikamari, Kaarlenväylä 2, Oulu

9:00 – 10:00: Music as a gateway to empathy in the digital realm
Key Note Speaker Katri Saarikivi, Cognitive neuroscientist at the University of Helsinki

10:00 – 10:45 Can orchestra field benefit from the game industry and vice versa?
Tony Manninen, CEO of Ludocraft, designing games and play

10:45 – 11:00 Coffee

11:00 – 12:00: The future leadership in the orchestra field
Vesa Puhakka, Professor of Management at the University of Oulu´s Business School.

12:00 – 13:00 Lunch

//

14:00 Gathering at the hotel

14:15 Oulu Tour from the river delta to country side.
Additional fee 75 €. Please wear sporty casual, waterproof, windproof, everything proof. Bring your swim suit. Towels provided by the host.

Experience:
– M/S Angelina river boat – smoke sauna – traditional Finnish dinner

22:30 – Bus back to the city

YOU WILL FIND THE REGISTRATION FORM HERE:

Signup form

@OrchLeague National Conference in #Detroit – Watch opening in livestream June 6, 4pm ET

Livestream

Opening Plenary

League of American Orchestras; 72nd National Conference

from the

Max M. and Marjorie S. Fisher Music Center

Tuesday, June 6, 2017 4:00pm-5:30pm Eastern

Detroit Rising: Stories of Renewal

Home of DSO downtown Detroit

 

Economics, race, immigration, urban versus suburban, arts and culture, and of course transportation – this being the Motor City – all converge in a story about transformation and how to lead in the face of tremendous adversity.

Watch and listen to the Opening Plenary of the League’s 2017 Conference as civic, business, and cultural leaders reveal the powerful interplay of their paths and how they’ve become change agents in building a new Detroit for all.

 

Welcome Speakers

Mark Davidoff, board chairman, Detroit Symphony Orchestra

Anne Parsons, president and CEO, Detroit Symphony Orchestra

Jesse Rosen, president and CEO, League of American Orchestras

Patricia Richards, board chair, League of American Orchestras

Welcome from Ford Motor Company

James G. Vella, president, Ford Motor Company Fund and Community Services

Gold Baton Award Presentation

Ann Hobson Pilot, former principal harp of the Boston Symphony Orchestra, will receive the League’s 2017 Gold Baton Award, the League of American Orchestras’ highest honor, given annually for distinguished service to America’s orchestras.

Panel Discussion, Detroit Rising: Stories of Renewal

Matt Cullen, principal, Rock Ventures LLC; CEO, JACK Entertainment LLC

Hassan Jaber, executive director, Arab Community Center for Economic and Social Services (ACCESS)

Mariam Noland, president, Community Foundation for Southeast Michigan

Shirley Stancato, president and CEO, New Detroit

Moderator: Mark Stryker, arts reporter and music critic, Detroit Free Press (1995-2016)

 

Watch live at 4PM ET, Tuesday, June 6.

@ClassicalNEXT: Celebrating the Relevance of Classical Music

The world’s biggest classical music meeting, Classical:NEXT, has opened its doors for its sixth edition. Four days of Expo, Conference and the new ‘Seriously – Adventures in Music’ Showcase Festival lie ahead for the expected 1,200 music professionals, who are coming to Rotterdam, the Netherlands, from all over the world and all branches of the classical and contemporary music scenes. Due to the continuing success of the meeting, with a growing expo and programme, organisers Piranha Arts and Rotterdam’s de Doelen Concert Hall and Congress Centre, have announced today that they will continue their cooperation for another three years.

Classical:NEXT

 

The global meeting for all art music innovators Classical:NEXT started its sixth edition today with a break from tradition: for the first time, the Opening was not produced by a single country, but instead was based around the positive answers to the question ‘what’s the point?’. After a music theatre performance ‘Have a Good Day’ as part of associated event Operadagen Rotterdam, the celebratory Classical:NEXT Opening in de Doelen featured the mainland European premiere of the UK’s Chineke! Orchestra, and words from Chineke’s Chi-chi Nwanoku MBE and Afa S. Dworkin of Sphinx Foundation, as well as conductor Marin Alsop and Ahmed Aboutaleb, the popular mayor of Rotterdam, via video.

Growing Expo, Widening Range

Classical:NEXT 2017 is the third time the event is held in the renowned de Doelen Concert Hall and Congress Centre, and it sees music professionals from 44 countries across the world gather to discover, debate and decipher the current, emerging and future trends in classical and art music and beyond across a packed programme including conference sessions, showcase performances, video project pitches and more.

An important part of the meeting is the unique opportunity to network across branches and with colleagues in the growing Expo in de Doelen. This year, the Expo is the biggest yet with 80 stands and almost 300 exhibiting companies and institutions, which amounts to more than a 15% growth compared to last year’s numbers. Classical:NEXT organisers, Berlin-based Piranha Arts, confirmed that delegate registration numbers are already set to match last year’s record number of approximately 1,200 professionals.

 

Music is Better When We Play It Together

In a marked change from previous editions, the Classical:NEXT 2017 Opening Ceremony was presented not as a spotlight of the musical output of a particular nation, but instead asked the question of ‘what’s the point?’ Building upon a prominent topic of last year’s Opening keynotes – the need for continuing relevance – this year, the gala performance was a celebration of just how relevant the classical and contemporary scene can be.

The main performers of the first night were Chineke! Orchestra – Britain’s first black and minority ethnic (BME) orchestra – joined by the resident Doelen Ensemble and musicians and students from Codarts University for the Arts. The concert marked the orchestra’s mainland European debut and featured a selection of pieces by contemporary composers Sarah Kirkland Snider and Errollyn Wallen, as well as Edward Elgar’s Serenade for Strings.

Under the baton of Mortimer Fruber Prize-winning conductor Shaun Matthew, featured soloists included pianist Isata Kanneh-Mason, violinist Tai Murray, soprano Nicole Jordan, and double bassist and founder of Chineke! Chi-chi Nwanoku. Nwanoku, who was also a co-director of the Opening, was one of the speakers of the night together with Afa S. Dworkin, president and artistic director of the US-based Sphinx Organization, who enthused:

“I am thrilled to be able to participate in Classical:NEXT this year: particularly, during such a turbulent time for our global society, I am eager to learn from and with colleagues around the globe and explore the immense power of the arts to unite, connect and erase barriers”

As well as those on stage, Classical:NEXT delegates were also joined by speakers via video messages. In this manner, Marin Alsop spoke of the bright future ahead for classical music and asked the pertinent questions: “What can we do to demonstrate our common humanity? What we can we do – individually and collectively – to make positive change?”. Rotterdam mayor Ahmed Aboutaleb used his message to explore connections in classical music, from personal, to city-wide, to world-wide.

Throughout the concert were also introductions to projects that epitomise the relevance and change that classical music can stir in communities around the world. The projects included 3 Thousand Rivers from Colombia, the Refugee Orchestra Project from the US, Gondwana Choirs from Australia, Selam Opera! from Germany, Zohra Afghan Women’s Orchestra from Afghanistan and Buskaid Soweto String Project from South Africa.

Chi-chi Nwanoku summed up the atmosphere of the Opening Ceremony with her words: “There is absolutely no reason why people of all backgrounds cannot enjoy the depth, complexity and beauty of classical music.”

The Opening is a joint production of Chineke! Foundation, Sphinx Organization, de Doelen and Piranha Arts. Chineke! Orchestra appears with the kind support of the GREAT campaign of the United Kingdom Department for International Trade as well as the British Council and PRS for Music Foundation.

 

Programme Overview: Connecting with Audiences Worldwide

The live musical programme for Classical:NEXT is expanded this year, under the title of the ‘Seriously – Adventures in Music’ festival and fully open to the public. Over the span of the event, artists from twelve countries and four continents will grace the Classical:NEXT stages in a range of performance contexts. Performing artists span the scene from emerging stars to art music veterans, including Collectif9, Maarja Nuut and David Krakauer.

In addition to the international jury-selected Showcase programme presented in de Doelen, a fresh format for this Classical:NEXT 2017 will allow delegates and public audiences to explore contemporary classical music in the intimate and informal settings of two of Rotterdam’s hippest club venues, BIRD and WORM. These Club Showcases comprise four live performances curated by Classical:NEXT director Jennifer Dautermann and Nonclassical artistic director Gabriel Prokofiev. A mainstay of the live programme at Classical:NEXT in Rotterdam is Lunch with the Resident, providing audiences with an opportunity to discover the breadth of Dutch musical talent with short lunchtime concerts organised by local partners de Doelen.

Two projects are highlighted in bespoke off C:N showcases. The Nordic Music Days 2017 will be represented by Distractfold Ensemble, and MusMa (partnered with the European Festival Association and European Broadcasting Union) will present the first collected performance of five specially-commissioned 2017 works, performed by Amôn Quartet from Belgium. In a collaboration initiated in 2016, the Rotterdam Philharmonic Orchestra will perform as part of the official Classical:NEXT programme, with a concert entitled ‘The Sea, The Sea!’. The performance will feature pieces by Michael Gordon and John Luther Adams, the orchestra conducted by Bas Wiegers and piano by Tomoko Mukaiyama.

For the first time at Classical:NEXT, the EBU will also record the international showcases for national radio stations, as well as making them available for radio stations worldwide, giving performing artists the maximum opportunity for visibility.

Further highlights of Classical:NEXT will be the interactive conference – the core of many Classical:NEXT delegates’ experience – with a total of 59 sessions and representatives from respected companies including Boosey & Hawkes, Carnegie Hall, Naxos, London Symphony Orchestra and many more offering new perspectives and concrete take-home know-how for the delegates.

The event will conclude with Saturday’s Closing Ceremony featuring a showcase of Trip Trip Trip and centred around the third Classical:NEXT Innovation Award, the winning project or person of which is decided by online vote, open to all delegates, from a shortlist selected by industry experts and journalists from 18 countries.

 

Classical:NEXT at Home in Rotterdam for Three More Years

Having grown in both size and reputation in its three years being held in Rotterdam, organisers Piranha Arts and de Doelen Concert Hall and Congress Centre today announced that the Classical:NEXT event will return to Rotterdam for a further three editions. Also revealed were the dates of Classical:NEXT 2018, which will be held 16 – 19 May 2018.

#Classical #music 2017 business is more vibrant than ever

It’s not fake news. It’s true: the classical music business seems to be more vibrant than ever before. “A few decades ago, I would not have put money on the survival of the concerto, except as an antiquarian curiosity. Celebrity soloists continued milking the classics, but the rest of the music world seemed to have moved on from all that gladiatorial bravura, the individual versus the collective story line that made the genre such a Romantic-era staple”, writes Justin Davidson about the topic situation in New York.

 

Tenthousands of people listen to classical music – Oper für alle – Berlin

In Germany there are more crowds joining classical live music pereformances, festivals and events than the national soccer league, according to a STRAD report. A couple of new concert halls and music theatres in Bochum, Berlin (Pierre Boulez Hall at Barenboim-Said Foundation), Dresden and of course Hamburg (Elbphilharmonie) as well as refurbished venues in Munich, Dresden and other German cities (topic issue of the magazine “das Orchester”) show the refreshed power of classical music on major markets. German orchestras have doubled their education and outreach activities since 2004. For example: last week West German Radio Orchestra Cologne rushed out of the concert hall.13 chamber music ensembles visited some 100 primary schools in 55 cities in Northrhine-Westfalia and reached out to 20.000 kids. In one week! This is good news!

Upcoming International Conferences

The arts and orchestra conferences circus is taking speed again in 2017.

International Orchestra Conference

The IAMA (International Artist Managers Association) 27th International Conference takes place in the Paris Philharmony from April 5 to 7.

Find more information on this event here.

The international orchestra community will meet in Montreal (Canada) for the 4th FIM International Orchestra Conference from May 11 to 14. Experts from orchestras around the globe will discuss topic issues and developments in the  orchestra sector.

More information

The latest edition of the Classical:NEXT Fair takes place in Rotterdam (Netherlands) from May 17 to 20.

More information

Time marches on. Make you conference choice!

@ClassicalNEXT 2017 Programme Announced

Classical:NEXT 2017, Rotterdam, The Netherlands, 17 – 20 May 2017, has announced the programme and further details.

Classical:NEXT

Classical:NEXT

Showcase artists (including the launch of the new public festival!), Conference sessions, Project Pitches and Innovation Award nominees, plus news in brief from around the classical world in our Worldwide Community News. You can also see which delegates and companies will be coming to Classical:NEXT 2017.